Where Light Lands

Softly elevating, never loud. Champagne Gold suits the room that wants lifting rather than dressing up.

The satin sheen softens reflections instead of sharpening them. White marble, warm neutrals, cool metals, and deep navy all sit well beside it.

A dry microfiber cloth is all it needs. Abrasive cleaners dull the surface, so keep them away.

Tailored rather than stiff. It gives a room polish and leaves the mood relaxed.

High-gloss surface that returns light to the room

Warmer than chrome

Shows fingerprints, as all polished metal does

Mild soap, a soft cloth, and a quick dry keep the shine. Abrasive pads leave scratches.

Patinaed character that can only be created by hand and slightly varies from fixture to fixture.

Darker spots, softer edges, and a deepening color develop with use. Two fixtures installed the same day will age differently.

Dust as needed.

It softens a fixture and adds textural interest

No sheen and no glare. Works well, with dark neutrals, warm wood, and raw stone.

Dust dry and spot clean damp. Scrubbing wears the texture, so go gently.

Strong and Substantial. Equally at home in rooms both rustic and refined.

Low sheen. The surface varies from fixture to fixture, which is intended, and it hides fingerprints and wear better than most finishes.

Dust regularly and use a damp cloth for anything more. Polishes and waxes build up and change how the finish reads.

 In a new build it looks sharp. In an older house it looks intentional.

Crisp and refined, whether its strengthening a classic silhouette or providing a striking contrast, Matte Black goes great with any space. Strong contrast against light walls.

A soft, slightly damp cloth is enough. Abrasive pads burnish the surface, so leave them in the cabinet.

Lit, it gives off a warm amber glow. Unlit, it brings the beauty of natural stone into your space

Translucent. Color and veining vary from stone to stone. Heavier than glass and cool to the touch.

This is a soft, porous stone. Water, liquid cleaners, and abrasives can stain or etch it, so dust with a dry cloth and leave it at that.

Ceramic brings color and craft into a fixture at the same time, with a handmade quality you can see.

The glaze is smooth and glass-like, and its depth varies slightly from piece to piece. Color holds without fading.

The glaze is durable, but harsh chemicals can damage it. Use mild soap and a damp cloth, then dry.

 Softness for rooms full of hard surfaces.

Visible wrap, slight irregularity, and light that passes through the gaps in the weave. Fiber tone varies naturally.

 A soft brush or vacuum brush attachment handles dust. Spot clean with a barely damp cloth and keep the rope dry.

 It softens light without hiding it, adding movement to a fixture

Diffuses light gently while the bulb and structure stay visible. Sits between smooth clear and heavily frosted glass. Works well with polished nickel, soft whites and light wood.

Dust dry and wipe with a soft cloth and mild glass cleaner. Dry fully so spots don't settle in the ripples.

Diffuses light with a sophisticated softness

Parallel ribs soften the view of the bulb

Output stays bright

Fine lines of light reflect onto nearby surfaces

Wipe along the ribs with a cloth dampened with glass cleaner to lift dust from the grooves.

A natural fit for bedrooms, baths, and hallways, where light should be even and forgiving.

 It fully diffuses the light source, so the bulb never shows. The surface feels smooth and matte.

Mild soap and water suit it best. Anything abrasive will mar the etching.

It turns light into texture and gives a fixture an artisanal, vintage character

Catches and scatters light into shimmering, irregular patterns. No two pieces fracture the same way. Works well with aged brass, dark metals and weathered wood.

Dust dry and wipe with a soft, damp cloth. Avoid harsh cleaners and sudden temperature changes.